Enric Moya
Violin I · La Monnaie Symphony Orchestra (Brussels)
"Younison’s guidance it’s a true before-and-after. When I was preparing for my first orchestra auditions, I had no real idea of the best approach and felt quite lost. Recording through Younison and receiving feedback from top orchestra musicians gives me clarity on which auditions I’m ready for, and where I need to improve."
Alexis Roussine
Violin I · Liège Royal Philharmonic Orchestra
"With Younison I can record anytime, anywhere, and still get a high-quality, comparable result. Knowing I’m only invited to live auditions when my profile truly matches what the orchestra is looking for, gives me confidence and helps me dedicate my time and resources on the opportunities that are really meaningful."
Sebastián Klinger
Violin I · La Cello Solo in Bavarian Radio Symphony Orchestra (Munich)
"Auditions for cello are especially challenging for candidates because of the logistics of the instrument. Video rounds can be messy. Every recording is made differently, most are heavily edited, and many nuances get lost, making it difficult to gain a picture that feels clear and reliable. Sometimes this even makes you feel responsible when a candidate travels from far away without being sure if the match will be right. With Younison, the digital barrier is softened. I get a much clearer sense of what to expect from each musician and can make a far more refined selection effortlessly."
Sebastian Jacot
Former Solo Flute · Berliner Philharmoniker
"With traditional methods, audition processes can quickly become overwhelming, with sometimes even hundreds of applications for a single position. Younison changes this: everything is organized and standardized, recordings are comparable, and features like short candidate interviews or demo videos give orchestras a much clearer sense of each musician’s profile. The decision of who to invite to the live rounds is now far more precise and targeted."
Céline Moinet
Solo Oboe · Staatskapelle Dresden
"As an oboist, I know how much depends on subtle tonal colors and phrasing details that often get lost in uneven or heavily produced recordings. In youth orchestra or academy selections with so many applicants, this makes it hard to judge fairly and with confidence. Younison brings a new level of consistency and transparency: I can see the clues of the true personality of each player and make decisions that feel both fair and meaningful."
Deborah Borda
Long time CEO and General Manager of Detroit and San Francisco Symphony, LA Phil and New York Philharmonic.
Clemens Hellsberg
Renowned violinist, long time member and chairman of Vienna Philharmonic.
Svetlin Roussev
Concertmaster · Seoul Philharmonic, L'Orchestre de la Suisse Romande, and Radio France Philharmonic Orchestra
"As a Concertmaster and jury member, I find Younison’s verified, unedited recordings invaluable. They let us hear the real musician, without doubts about authenticity, and make the evaluation process clearer, faster, and far more reliable. Younison is the missing link our industry has needed for so long!"
Noah Bendix
